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末世家園
泰勒·霍奇林,凱特·波茨沃斯,水野索諾婭,蘭斯·萊迪克,大衛(wèi)·達(dá)斯馬齊連,丹娜·格瑞爾,勞拉·凱洛蒂,蘭斯·E·尼克爾斯,杰夫·蔡斯,布拉德·利蘭,戴夫·戴維斯,大衛(wèi)·詹森,托馬斯·弗蘭西斯·墨菲,邁克·P·納爾遜,吉姆·格里森,戴恩·羅茲,Jacinte Blankenship,埃迪·馬休斯,Mary Alice Risener,Nina Leon,Dillon Ahlf,阿爾·維森特,Jaren Mitchell,Oscar Gale,Steven Grossman,李·珀金斯,Deven MacNa米納里
史蒂文·元,韓藝璃,達(dá)里爾·考克斯,威爾·帕頓,尹汝貞,蒂娜·帕克,斯科特·黑茲,艾倫·S·金,Laurie Cummings,埃里克·斯達(dá)克,Esther Moon,Ben Hall,Noel Cho,Chloe Lee,James Carroll,Jacob M Wade,Jenny Phagan富貴逼人來(lái)
彼得·塞勒斯,雪莉·麥克雷恩,茂文·道格拉斯,杰克·沃登,理查德·貝斯哈特恐怖高速
艾琳·迪茨,西蒙·飛利普斯,Shannon Dalonzo,約翰·D·希克曼,賈斯汀·戈登,James Politano,Jessica Gray,Briahn Auguillard,Robin Bookhout,Heather Rozzo暗黑女子
千眼美子,飯豐萬(wàn)理江,清野菜名,玉城蒂娜,小島梨里杏,平祐奈,升毅,千葉雄大靈幻夾克
艾德里安·布洛迪,凱拉·奈特莉,克里斯·克里斯托佛森,詹妮弗·杰森·李,丹尼爾·克雷格,凱莉·林奇,布拉德·蘭弗洛,斯蒂文·麥金托什,布蘭登·柯伊爾,麥肯茲·菲利浦斯,勞拉·馬蘭洛,詹森·劉易斯,喬哈·羅坦,安琪兒·庫(kù)碧同類(lèi)推薦
紅杉林殺人魔
馬可·伍德,Lisa Cameron,Lisa Livingstone五個(gè)熱衷冒險(xiǎn)的朋友來(lái)到都市傳說(shuō)中的謀殺案發(fā)地點(diǎn),準(zhǔn)備享受充滿刺激與驚悚的露營(yíng)週末,但是他們很快就發(fā)現(xiàn),徘徊於此的不是只有他們五人,一個(gè)神秘殺手悄悄接近,本該要縱慾狂歡的野外假期,瞬間變調(diào)成為致命夢(mèng)魘......
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
滅絕2015
馬修·??怂?杰弗里·多諾萬(wàn),奎恩·麥克科甘,Valeria Vereau,克拉拉·拉戈,Eduardo Fedriani,Matt Devere,Alex Hafner,Jeremy Wheeler,Katharine Bubbear,麗麗·博爾丹,胡里奧·佩里蘭,Orsolya Bene,Adam Zambryzcki,nm5099682 Daniel Bargue?o不知曾幾何時(shí),地球突然爆發(fā)恐怖的喪尸病毒,成千上萬(wàn)的人被病毒感染,隨后化作嗜血喪尸撕咬同類(lèi),正常人類(lèi)的數(shù)字直線減少。帕特里克(馬修·福克斯 Matthew Fox 飾)和杰克(杰弗里·多諾萬(wàn) Jeffrey Donovan 飾)當(dāng)年乘坐巴士疏散,誰(shuí)知途中遭遇最慘烈的 事件,這兩個(gè)男人以及一個(gè)尚在襁褓中的小嬰兒成為唯一的幸存者。九年后,地球上人類(lèi)所剩無(wú)幾,杰克以及當(dāng)年的嬰兒——可愛(ài)的小女孩露(奎恩·麥克科甘 Quinn McColgan 飾)住在一個(gè)寒冷的山村,父女倆相親相愛(ài),甜蜜溫馨。與之相對(duì),胡子拉碴的帕特里克與他們比鄰而居,他似乎與杰克有著深深的隔膜?! ∧硞€(gè)飄雪的夜晚,露意外在院落外目擊到久未出現(xiàn)的喪尸的行蹤,曾經(jīng)的噩夢(mèng)再度浮現(xiàn)……
瘋狂的酒局
王李丹鈮,丁海峰,李國(guó)麟,杜玉明,徐光宇,韓三明,張賀,戴天,朱楒憶電影講述張曉軍夫婦發(fā)現(xiàn)倒賣(mài)醬丞相期貨酒可以賺錢(qián),于是開(kāi)始一系列的買(mǎi)賣(mài)操作,可實(shí)際上他們中了對(duì)方的詐騙圈套,為了要回被騙的錢(qián)財(cái),夫婦倆斗智斗勇成功抓捕騙子。本片是一部反詐騙題材的喜劇電影。