我為卿狂

★ 6.2 播放：60萬 更新：2026-04-22

徐大維遠從回港接管香港分公司。分公司經理查理（曹查理飾）終日只知勾引公司女同事，把公司弄得一團糟。徐回來后便提升營業(yè)主任林婷婷為總經理。大維漸漸對婷婷傾心，但是婷婷的好姐妹祖兒（葉玉卿飾）也看上了大維，這段三角戀以婷婷退出，遠走美國告終。大維與祖兒在一起卻無法填補內心的空虛，于是離開了她。暫無內容 　　公司終于經營失敗，為日本最大的財團“大田”所收購。大維因此又邂逅他生命中的另一個女子——裕子（村上麗奈飾），二人的愛情即刻點燃，卻不料裕子的父親介入其中......

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劇情簡介

徐大維遠從回港接管香港分公司。分公司經理查理（曹查理飾）終日只知勾引公司女同事，把公司弄得一團糟。徐回來后便提升營業(yè)主任林婷婷為總經理。大維漸漸對婷婷傾心，但是婷婷的好姐妹祖兒（葉玉卿飾）也看上了大維，這段三角戀以婷婷退出，遠走美國告終。大維與祖兒在一起卻無法填補內心的空虛，于是離開了她。暫無內容 　　公司終于經營失敗，為日本最大的財團“大田”所收購。大維因此又邂逅他生命中的另一個女子——裕子（村上麗奈飾），二人的愛情即刻點燃，卻不料裕子的父親介入其中......

導演精選

幸福2024

影片改編自《下妻物語》等經典作品的原作---嶽本稔明的同名小說。故事講述了得知女友一周后就要死亡的“我”和“她”的青春物語。

屈從

　　一個手忙腳亂的父親(莫羅尼 飾)購買了一個家政服務機器人(福克斯 飾)來幫忙打理家務、照顧家人，然而隨著機器人的意識覺醒，一家人反而陷入了危機之中……

等待方舟

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.